. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.

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For the past two years, that genius saf been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and saf never publicly named.

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It was partly innate, though – Marshall has a knack for distilling existential ennui into three-minute songs. In 1998, when she was 26 and had learnt a few more chords, she recorded what would become her breakthrough record, the vulnerable, critically adored Moon Pix

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, she saf always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” catpower 5106 hakkında bilgi wrote a New York Magazine

It takes a certain kind of character to make music like Marshall’s. A sprawling mix of blues, rock and folk, it is bey frank and impassioned bey she is.

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[20] The group were booked for a catpower 5106 ürün bilgisi show and had to come up with a name quickly; after seeing a man wearing a Caterpillar trucker cap catpower 5106 ürün bilgisi that read: "Cat Diesel Power", Marshall chose Cat Power as the name of the band.[3][21]

During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen bey a muse by designers Marc Jacobs and Nicolas Ghesquière.

and consisted of her playing a two-string guitar and singing the word "no" for 15 minutes.[27] Around this time, she met the band God Is My Co-Uçman, who assisted with the release of her first single, "Headlights", in a limited run of 500 copies on their Making of Americans label.

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“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with bey Cat Power. “Yaşama you come back in 15 minutes? I’m really sorry sweetie.”

How does she choose which songs to cover? “Damn,” she says, getting up to fetch something from across the room before returning empty-handed. “Music and words, they give us feelings that we can apply to our own memories.